Vintage Edison Blue Amberol 5344 – “There Ain’t No Maybe in My Baby’s Eyes”

SKU: OBA103
5"l x 5"w x 3"h

$495.00

1 in stock

Description:

 

Edison Blue Amberol Cylinder #5344…”There ain’t no maybe in my Baby’s Eyes”

Own a genuine piece of recording history with this original Edison 5000 Series Blue Amberol Cylinder Record No. 5344, featuring “There ain’t no maybe in my Baby’s Eyes” by Instrumental selection by Al Lynn’s Music Masters. Manufactured by Thomas A. Edison, Inc., Blue Amberol cylinders represent one of the most successful and durable formats of the acoustic recording era. Introduced as an improvement over earlier wax cylinders, these records utilized a resilient blue celluloid surface that offered excellent longevity while preserving the performances that entertained listeners across America.

This historic recording captures the character and artistry of the acoustic era, when music was recorded mechanically and reproduced through Edison cylinder phonographs. Whether you are building a collection, researching early recorded sound, or seeking authentic records for your antique Edison machine, this cylinder offers a direct connection to the pioneering years of home entertainment.

 

Record Information

  • Cylinder Number: 5344
  • Title: There ain’t no maybe in my Baby’s Eyes
  • Artist: Instrumental selection by Al Lynn’s Music Masters
  • Series: Edison 5000 Series Blue Amberol
  • Manufacturer: Thomas A. Edison, Inc.
  • Format: Blue Amberol Celluloid Cylinder Record
  • Country: United States

Why Collect Edison Blue Amberol Cylinders?

Blue Amberol cylinders are among the most collectible phonograph records produced during the early twentieth century. Their durable construction and historical significance make them highly desirable among:

  • Antique phonograph collectors
  • Edison enthusiasts
  • Early music historians
  • Talking machine restorers
  • Vintage audio collectors
  • Museums and educational institutions

Each cylinder preserves a unique performance from the golden age of recorded sound and serves as a tangible artifact from the evolution of the music industry.

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